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Project Type: Exhibition  
Category: Event, Exhibition

Client: 台中市政府
Agency: 築點設計股份有限公司
Year: 2018
Location: 台中國際花卉博覽會 樂農館


#現地創作
#NDI
#GrayCodePatterns

Taichung World Flora Exposition
Phototropic Synesthesia
2018 台中國際花卉博覽會 光養聯覺


As an entry corridor to the exhibition, the team attempted to create immersive “Rinsing Sensory” experience, so as to deconstruct the normal cognition of the audience on exhibition centers and complete a special welcoming flow in all aspects, from visual and auditory aspects to spatial and atmospheric aspects

團隊獲得築點設計的邀約,參與 2018 台中國際花卉博覽會外埔園區樂農館的單元創作。樂農館以「一方地,千畝田,以農為樂」為策展理念,在開闊的地景式展間,以農業、生活和人文為核心,談論土地、作物以及農人的故事。稻米、水果、蕈菇、茶葉四種在台灣的重要作物成為主展區展示背景,在其上探討台灣農業由生產、生活及至國際化的發展進程,發掘農人們「以農為樂」的驕傲。








Concept 


With“Phototrophic Plants”as the main concept, image designs are projected onto plants, translating and enhancing the attitude and traits of the four main characters:“ Rice, Fruits, Mushrooms, and Tea Leaves.” Using the monitors as a patchwork through the corridor, through continually stacked and abundant images, along with unending compression of space, a fantasy blend of“ organic”and “ geometric ”coexistence. This will allow the audience to obtain a sense of openness in all areas when entering the indoor exhibition area.

設計概念


作為一個展場的入口廊道,團隊企圖打造一個「漱洗感官」的沉浸體驗,解構觀眾對於展場的常態認知,完成一個於視覺上、聽覺上、空間上、氛圍上一個方方面面特別的迎接動線。以「光養植物」作為意念脈絡,透過影像設計以投影方式打照在植物上,轉化與強化「稻米、水果、蕈菇、茶葉」四個主角的姿態與特質。並利用錯落裝設的螢幕,乘載不斷堆疊的豐富影像,持續擠壓濃縮空間,調配出「有機」與「幾何」共存的奇幻型態。使得觀眾在進入室內園區後,在各方感官上獲得開闊感。





Detail


Due to the demands of this project, visual effect personnel had to work on the visual effects to be projected on the plants on-site. And because the site is mainly outdoors, in order to avoid light pollution, the personnel can only carry out this task at night. And not wanting to sleep late, the time is very limited. In response to this challenge, we developed two tools to complete this task.

技術細節


因為作品需求,視覺人員需要現地即時的製作投影於植物上的視覺,且因為場域幾乎於戶外,必避免光害,工作人員只能在晚上作業,又不希望太晚睡,時間非常有限,因應這個挑戰我們開發了兩個工具來完成這項任務:
  • Projector-Camera Calibration Using Gray Code Patterns

Simply speaking, through this technology, the visual effect personnel can obtain an image, and this image can be viewed as “the picture seen from the projector. The principle of this technology is gray code patterns are projected on the objects where we need projection mapping using the projector. A camera is set up near the projector lens to record the imaging of the gray code patterns on the video-taped objects. Through calculating the projector-camera relation using the computer, we are able to simulate an image where the camera picture is converted to one that is from the perspective of the projector.
Actually, there are already some ready-made tools to complete this function; however, the images produced from these current tools are all in black-and-white and the details and accuracy are just barely satisfactory. In response to the quality requirements of the visual effect personnel, the team developed this tool on their own.
  • Projector-Camera Calibration Using Gray Code Patterns

簡單的說,透過這個技術,視覺人員可以取得一張影像,而這張影像可以想像成「投影機看到的畫面」。這項技術的原理是,投影機於我們需要 Projection Mapping 的物體上投上 Gray Code Patterns,架設一個接近投影機鏡頭位置的攝影機,紀錄 Gray Code Patterns 於被攝物上的成像,透過電腦計算出投影機與攝影機間的關係,即可模擬出一張將攝影機畫面轉為投影機視角的影像。

其實已有一些現成工具可以完成這個功能,不過目前現成工具產出的影像皆為黑白且細節準確度差強人意。因應視覺人員對於品質的需求,團隊自主開發此工具。
  • Real-Time Visual production Using NDI

After obtaining the image from the perspective of the projector, the visual effect personnel still encountered an issue, before projecting, there was no way to preview the visual effect on plants. Therefore, the personnel hoped that there was a system that can provide real-time visual projection editing, where one wouldn’t need to repeatedly calculate and export visual files. So, we made plug-ins for software such as Photoshop and After Effect, where the visual within the production software is immediately exported to the projection system. We used the Network Device Interface (NDI) as the interface for image transmission. NDI is a technology for internet two-way audio-visual signal transmission, where IP Ethernet networks is the main way of connection. Thus, this also let our system achieve a wireless working environment through WIFI.
  • Real-Time Visual production Using NDI

取得投影機視角的影像後,視覺人員還有一個難題,在輸出影像之前無法預先預覽視覺在無物上的效果。所以希望完成一個供視覺可以即時編輯投影的系統,而不需要反覆的運算與匯出視覺檔案。於是我們於 Photoshop、After Effect 等軟體製作外掛,將製作軟體中的視覺即時的輸出到投影系統中。我們使用 NDI (Network Device Interface) 做為畫面傳輸的介面,NDI 為一種網路雙向影音訊號傳輸的技術,使用 IP (Ethernet networks) 乙太網路為主要連接方式。也因此讓我們的系統經由WIFI達成無線的工作環境。







2018 TWFE - Phototropic Synesthesis


Producer: Hauzhen Yen
Project Manager: Tim Chen
Creative Director: Jay Tseng
Art Director: Chris Lee
Technical Director: Nate Wu
Visual Designer: Chris Lee, Hauzhen Yen, Lynn Chiang, Glenn Huang, Alex Lu
Lighting Designer: Wei-Yu Chen


Sound Director: MUSDM
Sound Designer: MUSDM
Composer: MUSDM
Sound Mixing: MUSDM

Director of Photography: Ray.C, Book Ho
Assistant of Photography: Liang Fa Kan, Chen Kuan Chieh, Hsu Yuan fu
Production Manager: Jay Lee, Prolong Lai, Herry Chang, William Liu, Alex Lu
Assistant Production Manager: Peter Chen, Ya Ting Lin
Location Manager: Isabella Chang

Promote Video: Ting-An Ho
Promote Video Music Composer: IGLOOGHOST


Special Thanks: archicake design, Sean Yang, Sheng Yuan Hung, YUYUPAS, Tian Mi Xin Orchard


2018 台中國際花卉博覽會 光養聯覺


製作人:顏晧真
專案管理:陳威廷
創意總監:曾煒傑
視覺總監:李威宗
技術總監:吳思蔚
視覺設計:李威宗、顏晧真、江家伶、黃偉哲、呂承翰
燈光設計:陳威諭


聲音導演:MUSDM
音效設計:MUSDM
作曲:MUSDM
混音:MUSDM

攝影:張伯瑞、何雨書
攝影助理:梁發侃、陳冠傑、許員福
製片:李光哲、賴柏榕、張存宇、劉偉申、呂承翰
製片助理:陳品志、林雅婷
場地經理:張心寧


紀錄影片剪輯:何庭安
紀錄影片配樂:IGLOOGHOST

特別感謝:築點設計、楊湘文、洪聖淵、優遊吧斯 鄒族文化部落、田蜜心果園

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